This is a short paper on Camarón's participation in the Cádiz school of cante.
This is a transcription and translation of three stories told by Pericón
de Cádiz on a 45 rpm record that accompanied early editions of his book
( Mil y una historias de Pericón de Cádiz). Versions of these stories also appear in the book, but they are told somewhat differently from
the record versions.
This is a short piece on these cantes and their history.
Tarantas are libre and Tarantos have compás - right? Perhaps it isn't so simple:
The amazing story of why we are confused:
A tanguillo composed in honor of a very special plaza in Cádiz:
Bulerías (with La Fernanda de Utrera)